It's Willem Dafoe's Davinci hairstyle, I guess :).....I like the unique concept of anamorphosis as used in the story. I wonder if this had been made a little darker (if say.....given to Jonathan Demme, Alfonso Cuaron, or.......David Lynch ;) ).
I do actually like Denis Leary's film and tv work more than his standup.....despite the opposite of which was a common punch line in the roast.....but this was comedy central so that shouldn't be a surprise. While some film choices I'm sure were more for fun, I think he was good in films like Ref and his supporting roles in Suicide Kings and Ice Age (as Diego)...and what more can be said about The Job and Rescue Me? This roast was funny and entertaining and being on DVD was uncensored and you get a lot of surprises.
This may be beginning of an era where animation is used instead of live action to tell a story. At first it feels like the film was a rotoscope like A Scanner Darkly, but it isn't. It was wonderfully done and the story was very compelling.
"fishiiiinnng......with John...." is the hypnotic opening track from each of John Lurie's episodes. It's a neat collection of what I'd consider vacation videos with friends...not your usual friends of course, as they include Tom Waits, Jim Jarmusch, Willem Dafoe, Matt Dillon, and Dennis Hopper. The casual talk is fun to listen to and using a "National Geographic"-like narrator (Rob Webb) makes it even more amusing (and funny).
Just listening to how Philip Seymour Hoffman's Father Flynn delivers his sermons reminds me how messages can never come through to people unless they are brought down by someone who can articulate them well. The "Gossip" sermon was particularly entertaining. Meryl Streep was great, but in this movie Amy Adams, Viola Davis, Philip Seymour Hoffman shined much brighter.
Stephen Daldry and the cast did a magnificent job keeping afloat the underlying emotions in this film. Once you realize that you're seeking past the obvious stimuli such as eroticism and wartime historical references, you know someone has found a way to keep you in pain....or guilt....or hope.
I admire filmmakers who are able to approach a common theme and find another way to express it. Let The Right One In is one such film taken out of the vampire genre. Stripping the concept to its bare blood-thirsty, light-sensitive core and projecting it through the eyes of two young chracters gave this film a depth that I hardly want to consider this a horror film at all.
It just wouldn't be right to have entered 2009 this far without looking back to 2008.
28 movies in 2008. It looks like a drop, but only because it does not count the Battlestar Galactica series discs in between. Of the 2008 films, notable notes:
The Hunger - sometimes you just have to have more of em...so with Ellen Page, after Juno (and for me, after Hard Candy, really) the hunger was to see her again in The Tracey Fragments and An American Crime. Same goes for Cate Blanchett in Charlotte Gray and I'm Not There, Catalina Sandino Moreno in Maria Full of Grace and The Hottest State, and Paul Dano in Little Miss Sunshine and There Will Be Blood.
The Sparrow - Edith Piaf's life story through La Vie En Rose really brought a lot of attention to Marion Cotillard and I really admired her performance in the film. It felt rewarding to see her win the Oscar for the part.
Grace is Gone - It was a great turn for John Cusack to show he does have range.
The Jodie Factor - when Jodie Foster gets pushed in the corner, she turns into a banshee...its pretty much what surprises you when entering The Brave One with low expectations. Never underestimate someone whose good friend happens to be a guy named Hannibal.
Le Honor Roll
